Dali, Salvador – “Le Telegraphe”

Spanish Painter, Sculptor, Filmmaker, Printmaker, and Performance Artist Movements and Styles: Surrealism, Biomorphism Born: May 11, 1904 – Figueras, Catalonia, Spain Died: January 23, 1989 – Figueras, Catalonia, Spain “The fact that I myself, at the moment of painting, do not understand my own pictures, does not mean that these pictures have no meaning; on the contrary, their meaning is so profound, complex, coherent, and involuntary that it escapes the most simple analysis of logical intuition.” Salvador Dalí is among the most versatile and prolific artists of the 20th century and the most famous Surrealist. Though chiefly remembered for his painterly output, in the course of his long career, he successfully turned to sculpture, printmaking, fashion, advertising, writing, and, perhaps most famously, filmmaking in his collaborations with Luis Bunuel and Alfred Hitchcock. Dalí was renowned for his flamboyant personality and role of mischievous provocateur as much as for his undeniable technical virtuosity. In his early use of organic morphology, his work bears the stamp of fellow Spaniards, clearly visible through his hyper-realistic style and religious symbolism of his later work. Freudian theory underpins Dalí’s attempts at forging a visual language capable of rendering his dreams and hallucinations. These account for some of the iconic and now ubiquitous images through which Dalí achieved tremendous fame during his lifetime and beyond. Obsessive themes of eroticism, death, and decay permeate Dalí’s work, reflecting his familiarity with and synthesis of the psychoanalytical theories of his time. Drawing on blatantly autobiographical material and childhood memories, Dalí’s work is rife with often ready-interpreted symbolism, ranging from fetishes and animal imagery to religious symbols.