The Fall of Empire

In “The Fall of Empire,” fragmented vertical forms and turbulent passages of color create the impression of a structure breaking apart from within. Figures and architectural suggestions appear caught in a moment of instability, while reds, blues, and pale tones intensify the sense of conflict. The painting does not describe a single historical event; instead, it approaches the collapse of power as a recurring human experience. Ostapenko reflects on upheaval, impermanence, and the fragile nature of seemingly permanent systems.